SOME OF THE KEWL BANDS YOU'LL SEE AT LIVID



Babes in Toyland have a history of turning perceptions on their head. Kicking off their career in 1990, their earliest recordings hinted that BABE'S infernal rage was not just something that would flame brightly and briefly, but that their songwriting powers and uncanny delivery had unlimited scope. Now comes their finest recording to date, 'Nemesisters', an album which present many facets of the BABES' collective personalities that haven't so clearly been heard on their records before. BABES IN TOYLAND have burned contemporary music with the fierce stamp of their own individuality, making beautiful, raw, honest music that has often been imitated but never bettered. If you didn't see the BABES on their first Australian jaunt don't miss them at LIVID. They are the originators: the sweetest kittens with the sharpest claws.


Rollins band - from Rollins himself. "...1993 found us with a new bass player - the only lineup change we've experienced since the bands formation in the Spring of '87. His name is Melvin Gibbs. Recording the new album 'Weight': we were looking for something different than the normal studio setting. To us the studio was never conducive to playing well. Besides all of the work I put into the band I did some things on my own that might be of interest. l I did a video with Iggy Pop for his song 'Wild America'. Started a music publishing company called 'Human Pitbull'. I shot a movie with Charlie Sheen called 'The Chase'. I finished up a book I had been working on for years about Black Flag. For 1995 it will be touring..." Rollins band are touring Australia now for the fifth time.


Morphine - Having barely cooled their heels after their first Australian visit, MORPHINE are at Livid. Hot on the trail of their third album 'Yes', it's only been five years since Boston's MORPHINE first rumbled up from the netherworld and literally took the guitar out of rock. With just bass, drums and saxophone, this unlikely power trio has become an international phenomenon, playing for sold-out crowds in both clubs and on festival stages around the world in support of their surprise hit album 'Cure For Pain'. Consisting of Mark Sandman on two-string slide bass and vocals, Dana Colley on baritone saxophone, and drummer Billy Conway, the band began as a light-hearted experiment in darkness. With burgeoning worldwide recognition, Rolling Stone magazine helped seal the skeptics opinion's by saying that MORPHINE was '1994's biggest underground pop success'. Now in '95 MORPHINE's rich and seductive sounds stand ready to engulf the collective unconscious of waiting world.


Paw - Laurence, Kansas' wayward sons have all that - and the result is 'Death To Traitors' an awesome follow-up to their first fist - in - your - face debut 'Dragline'. you probably remember 'Jessie', the rad tragic tale of a dog called, you guessed it, Jessie - a song that won the hearts of all who heard it on the radio. But PAW isn't just a band, it's a way of life and if you look in the right places around Laurence, changes are you'll find them together. They've been like this since 1990 when the brothers Fitch (Grant - guitars, Peter - drums) emigrated from Chicago and hooked up with Hennessy (vocals) who'd moved from Laurence from Kansas City. Their new and second album 'Death To Traitors' is colourful, top - heavy rock with the high rev of punk and modern energy. It's too down to earth to be hyped, too good to be dismissed. Don't miss PAW at LIVID on their first ever visit to Australia.


Jello Biafra - One of Livid's major drawcards, JELLO BIAFRA has a history that proceeds him. In the late 70's he joined with Klaus Flouride (bass), East Bay Ray (guitar), 6025 (guitar) and Ted (drums) to form the Dead Kennedys - the band that refined the alienation of California's music subculture, giving it a politicised edge. In the ensuing years the Dead Kennedys released five albums - each one a kind of punk State of the Union address. In '82 JELLO formed the 'Alternative Tentacles' label which, by late last year, had released 154 recordings by names such as Nomeansno and The Butthole Surfers. BIAFRA's aesthetic has been evolving for some time. Musically he has collaborated with the likes of Ministry's Al Jorgenson and his attention has been increasingly taken up by his spoken word performances, documented on four multi CD releases. BIAFRA says he now rejects the tour-record-tour pattern of music as a job which makes this, his second visit to Australia, even more of a treat. Don't miss JELLO BIAFRA in a rare, special appearance at LIVID where he'll take some time to discuss punk rock - past and present.


Nomeansmo - The exciting quartet the rest of the world calls NOMEANSNO was formed in 1981 in Victoria, British Columbia. The original line-up remains intact to this day, consisting of brothers Rob and John Wright, Craig Bougie, Dean Rusk and France Preseven. From the word go discerning punters gaped with slack-jawed adulation while NOMEANSNO grew from strength to strength, thanks mainly to relentless touring and their most uncompromising power stance. In 1995-1996 the bank will play stadiums and concert halls across the globe, fitting in a return trip to Australia (their second) to play LIVID, where they'll showcase the new mega selling album 'The Worldhood of The World As Such'.


Alex Chilton - After over twenty five year of of critically acclaimed releases as a solo artist and lead singer/songwriter of Big Star, as well as the front man for the hit blu-eyed soul pop bank The Box Tops, Alex Shilton is back with the best album of his solo career, titled 'A Man Called Destruction'. Produced by Chilton and engineered by Jeff Powell (Afghan Whigs, Primal Scream), the new album digs deeper into earthly road house blues, raw rock 'n' roll and gritty R&B than anything he has previously recorded. Cited as a profound musical influence from everyone to the Posies and Jeff Buckley, Ales Chilton never went away but has quietly gone on to record some of the most celebrated organic performance based albums of our time. 'I am of the belief that you can just take musicians in the studio and let them do what they want to do, and if you don't be-labour the point, they are generally going to do something good the first or second time through", Chilton remarks. "I thin we pretty much achieved it overall".




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