=THEUNOFFICIAL=
WILLIAM
B URROUGHS
HOMEPAGE
LEE AND THE B OYS
SPECIAL THANX TO -EROSE- FOR GETTING THIS ONE TO US!
The sun spotlights the inner thigh of a boy sitting in shorts on a doorstep,
his legs swinging open, and you fall in spasms-sperm spurting in orgasm after
orgasm, grinding against the stone street, neck and back break . . . now lying
dead, eyes rolled back, showing slits of white that redden slowly, as blood tears
form and run down the face-
Or the sudden clean smell of salt air, piano down a city street, a dusty
poplar tree shaking in the hot afternoon wind, pictures explode in the brain like
skyrockets, smells, tastes, sounds shake the body, nostalgia becomes unendurable,
aching pain, the brain is an overloaded switchboard sending insane messages and
countermessages to the viscera. Finally the body gives up, cowering like a
neurotic cat, blood pressure drops, body fluids leak through stretched, flaccid
veins, shock passes to coma and death.
Somebody rapped on the outside shutter. Lee opened the shutter and looked
out. An Arab boy of fourteen or so-they always look younger than they are-was
standing there, smiling in a way that could only mean one thing. He said
something in Spanish that Lee did not catch. Lee shook his head and started to
close the shutter. The boy, still smiling, held the shutter open. Lee gave a jerk
and slammed the shutter closed. He could feel the rough wood catch and tear the
boy's hand. The boy turned without a word and walked away, his shoulders
drooping, holding his hand. At the corner the small figure caught a patch of
light.
I didn't mean to hurt him, Lee thought. He wished he had given the
boy some money, a smile at least. He felt crude and detestable.
Years ago he had been riding in a hotel station wagon in the West Indies.
The station wagon slowed down for a series of bumps, and a little black girl ran
up smiling and threw a bouquet of flowers into the car through the rear window. A
round-faced, heavyset American in a brown gabardine suit gathered up the flowers
and said, "No want," and tossed them at the little girl. The flowers fell in the
dusty road, and the little girl turned around crying and ran away.
Lee closed the shutter slowly.
In the Rio Grande valley of South Texas, he had killed a rattlesnake with a
golf club. The impact of metal on the live flesh of the snake sent an electric
shiver through him.
In New York, when he was rolling lushes on the subway with Roy, at the end of the
line in Brooklyn a drunk grabbed Roy and started yelling for the law. Lee hit the
drunk in the face and knocked him to his knees, then kicked him in the side. A
rib snapped. Lee felt a shudder of nausea.
Next day he told Roy he was through as a lush worker. Roy looked at him with
his impersonal brown eyes that caught points of light, like an opal. There was a
masculine gentleness in Roy's voice, a gentleness that only the strong have: "You
feel bad about kicking that mooch, don't you? You're not cut out for this sort of
thing, Bill. I'll find someone else to work with." Roy put on his hat and started
to leave. He stopped with the doorknob in his hand and turned around.
"It's none of my business, Bill. But you have enough money to get by. Why
don't you just quit?" He walked out without waiting for Lee to answer.
Lee did not feel like finishing the letter. He put on his coat and stepped
out into the narrow, sunless street.
The druggist saw Lee standing in the doorway of the store. The store was
about eight feet wide, with bottles and packages packed around three walls. The
druggist smiled and held up a finger.
"One?" he said in English.
Lee nodded, looking around at the bottles and packages. The clerk handed the
box of ampules to Lee without wrapping it. Lee said, "Thank you." He walked away
through a street lined on both sides with bazaars. Merchandise overflowed into
the street, and he dodged crockery and washtubs and trays of combs and pencils
and soap dishes. A train of burros loaded with charcoal blocked his way. He
passed a woman with no nose, a black slit in her face, her body wrapped in grimy,
padded pink cotton. Lee walked fast, twisting his body sideways, squeezing past
people. He reached the sunny alleys of the outer Medina.
Walking in Tangier was like falling, plunging down dark shafts of streets,
catching at corners, doorways. He passed a blind man sitting in the sun in a
doorway. The man was young, with a fringe of blond beard. He sat there with one
hand out, his shirt open, showing the smooth, patient flesh, the slight, immobile
folds in the stomach. He sat there all day, every day.
Lee turned into his street, and a cool wind from the sea chilled the sweat
on his thin body. He hooked the key into the lock and pushed the door open with
his shoulder.
He tied up for the shot, and slid the needle in through a festered scab.
Blood swirled up into the hypo-he was using a regular hypo these days. He pressed
the plunger down with his forefinger. A passing caress of pleasure flushed
through his veins. He glanced at the cheap alarm clock on the table by the bed:
four o'clock. He was meeting his boy at eight. Time enough for the Eukodal to get
out of his system.
Lee walked about the room. "I have to quit," he said over and over, feeling
the gravity pull of junk in his cells. He experienced a moment of panic. A cry of
despair wrenched his body: "I have to get out of here. I have to make a
break."
As he said the words, he remembered whose words they were: the Mad Dog
Esposito Brothers, arrested at the scene of a multipleslaying holdup, separated
from the electric chair by a little time and a few formalities, whispered these
words into a police microphone planted by their beds in the detention ward.
He sat down at the typewriter, yawned, and made some notes on a separate
piece of paper. Lee often spent hours on a letter. He dropped the pencil and
stared at the wall, his face blank and dreamy, reflecting on the heartwarming
picture of William Lee-
He was sure the reviewers in those queer magazines like One would
greet Willy Lee as heartwatming, except when he gets-squirming uneasily-well, you
know, a bit out of line, somehow.
"Oh, that's just boyishness-after all, you know a boy's will is the wind's
will, and the thoughts of youth are long, long thoughts."
"Yes I know, but . . . the purple-assed baboons . . ."
"That's gangrened innocence."
"Why didn't I think of that myself. And the piles?"
"All kids are like hung up on something."
"So they are . . . and the prolapsed assholes feeling around, looking for a
peter, like blind worms?"
"Schoolboy smut."
"Understand, I'm not trying to belittle Lee-"
"You'd better not. He's a one-hundred-percent wistful boy, listening to
train whistles across the winter stubble and frozen red clay of Georgia."
-yes, there was something a trifle disquieting in the fact that the
heartwarming picture of William Lee should be drawn by William Lee himself. He
thought of the ultimate development in stooges, a telepathic stooge who tunes in
on your psyche and says just what you want to hear: "Boss, you is heartwarming.
You is a latter-assed purple-day saint."
Lee put down the pencil and yawned. He looked at the bed.
I'm sleepy, he decided. He took off his pants and shoes and lay down
on the bed, covering himself with a cotton blanket. They don't scratch.
He closed his eyes. Pictures streamed by, the magic lantern of junk. There is a
feeling of too much junk that corresponds to the bed spinning around when you are
very drunk, a feeling of gray, dead horror. The pictures in the brain are out of
control, black and white, without emotion, the deadness of junk lying in the body
like a viscous, thick medium.
A child came up to Lee and held up to him a bleeding hand.
"Who did this?" Lee asked. "I'll kill him. Who did it?"
The child beckoned Lee into a dark room. He pointed at Lee with the bleeding
stub of a finger. Lee woke up crying "No! No!"
Lee looked at the clock. It was almost eight. His boy was due anytime. Lee
rummaged in a drawer of the bed table and found a stick of tea. He lit it and lay
back to wait for KiKi. There was a bitter, green taste in his mouth from the
weed. He could feel a warm tingle spread over his body. He put his hands behind
his head, stretching his ribs and arching his stomach.
Lee was forty, but he had the lean body of an adolescent. He looked down at
the stomach, which curved in flat from the chest. Junk had sculpted his body down
to bone and muscle. He could feel the wall of his stomach right under the skin.
His skin smooth and white, he looked almost transparent, like a tropical fish,
with blue veins where the hipbones protruded.
KiKi stepped in. He switched on the light.
"Sleeping?" he asked.
"No, just resting." Lee got up and put his arms around KiKi, holding him in
a long, tight embrace.
"What's the matter, Meester William?" KiKi said, laughing.
"Nothing."
They sat down on the edge of the bed. KiKi ran his hands absently over Lee's
back. He turned and looked at Lee.
"Very thin," he said. "You should eat more."
Lee pulled in his stomach so it almost touched the backbone. KiKi laughed
and ran his hands down Lee's ribs to the stomach. He put his thumbs on Lee's
backbone and tried to encircle Lee's stomach with his hands. He got up and took
off his clothes and sat down beside Lee, caressing him with casual affection.
Like many Spanish boys, KiKi did not feel love for women. To him a woman was
only for sex. He had known Lee for some months, and felt a genuine fondness for
him, in an offhand way. Lee was considerate and generous and did not ask KiKi to
do things he didn't want to do, leaving the lovemaking on an adolescent basis.
KiKi was well pleased with the arrangement.
And Lee was well pleased with KiKi. He did not like the process of looking
for boys. He did not lose interest in a boy after a few contacts, not being
subject to compulsive promiscuity. In Mexico he had slept with the same boy twice
a week for over a year. The boy had looked enough like KiKi to be his brother.
Both had very straight black hair, an Oriental look, and lean, slight bodies.
Both exuded the same quality of sweet masculine innocence. Lee met the same
people wherever he went.